Following this, she was permitted by her mother to live with her piano teacher, Honey Silverman, and her family. In 1934, 17-year old Helen began singing for WNEW in New York. During her time with Shaw, Helen Forrest became a national favorite. Helen defended herself with a kitchen knife, injuring him. In his book The Big Bands, writer George Simon wrote, "Helen was a wonderfully warm and natural singer. In August 1941, Forrest quit the orchestra "to avoid having a nervous breakdown". Big band singer who performed and recorded with the orchestras of, A champion of civil rights, in the 1940s, she refused to appear in theaters that did not allow, My First Apartamento: Christiaan Houtenbos, Documentary short performer: "Taking a Chance on Love", Documentary performer: "You're A Sweet Little Headache" - uncredited, Documentary performer: "I'm Like a Fish Out of Water", performer: "Baby Won't You Please Come Home", performer: "YOU'RE A SWEET LITTLE HEADACHE", performer: "Give Me Something to Remember You By", performer: " You Came Along from Out of Nowhere" - uncredited, performer: "I'll Take the High Note" 1943, "I Cried for You" 1923 - uncredited, performer: "In a Moment of Madness" 1944 - uncredited, performer: "Nobody Knows the Trouble I've Seen", "You Made Me Love You I Didn't Want to Do It" - uncredited, Short performer: "Deep Purple" - uncredited, Herself - Guest Pop Vocalist / Herself - Guest Swing Vocalist. What it Seemed to Be. That led to a job on CBS Radio singing with the trumpeter Bunny Berigan. By Stephen Holden. It didn't last long, but it sure was something while it lasted. The loss of her hearing worsened as she became older and she was able to perform her old standards because she remembered where the notes for them were. Helen's first Decca disc, "Time Waits For No One", reached second place on the Hit Parade, and the radio show achieved top ratings. Helen Forrest, Singer During the Big Band Era, Dies at 82. In 1964 she toured the United States with Frank Sinatra Jr. and the Tommy Dorsey Orchestra, and in the late 60's she was reunited with James for an album. Feel free to contribute! Back on Columbia and with four strings added to his 14-piece big band (which also included singers Dick Haymes and Helen Forrest), James (who was always personally popular and a regular in the Metronome All-Star recording bands) hit pay dirt on May 20 with his instrumental recording of the old Al Jolson hit “You Made Me Love You.” She believed that God had taken her husband because she had wished so much for a baby girl. Helen Forrest died on July 11, 1999 from congestive heart failure at the Motion Picture & Television Country House and Hospital in Woodland Hills, Los Angeles. For a time she and Holiday were both working with Shaw's band. Helen recorded 55 studio recordings with Goodman. She was 82. In 1941 she reached a peak of popularity with James, singing the No. While learning piano, Honey noticed Helen's singing ability and encouraged her to focus on singing instead. She served as the "girl singer" for three of the most popular big bands of the Swing Era (Artie Shaw, Benny Goodman, and Harry James), thereby earning a reputation as "the voice of the name bands." She also performed for WCBS where she was known as “Bonnie Blue” and “The Blue Lady of Song.” Eventually she found a singing job at the Madrillon Club, in Washington, D.C., where she performed for approximately two years. Known as ''the voice of the name bands,'' Ms. Forrest became a leading vocalist in 1938 when she replaced Billie Holiday as the singer with Artie Shaw's orchestra. This led to a touring production called The Fabulous 40s (1978), followed in 1979 with a similar revue entitled The Big Broadcast of 1944. Born Helen Fogel in Atlantic City, Ms. Forrest performed regularly as a young girl on the New York City radio station WNEW. Leave feedback. We did not know that we were living through an era - the Big Band Era - that would last only 10 years or so and be remembered and revered for ever…it's hard to believe, but the best times were packed into a five-year period from the late 1930s through the early 1940s when I sang with the bands of Artie Shaw, Benny Goodman, and Harry James.

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